Digital Stage Piano – Read The Customer Reviews..

The word “electronic keyboard” refers to any instrument which produces sound by the pressing or striking of keys, and uses electricity, in some way, to facilitate the development of that sound. The usage of an electronic keyboard to produce music follows an unavoidable evolutionary line from the very first musical keyboard instruments, the pipe organ, clavichord, and harpsichord. The pipe organ is the oldest of such, initially created by the Romans within the 3rd century B.C., and referred to as hydraulis. The hydraulis produced sound by forcing air through reed pipes, and was powered by means of a manual water pump or a natural water source such as a waterfall.

From it’s first manifestation in ancient Rome till the 14th century, the organ remained the only keyboard instrument. It often did not include a keyboard at all, instead utilizing large levers or buttons that were operated using the whole hand.

The subsequent appearance in the clavichord and harpsichord in the 1300’s was accelerated from the standardization of the 12-tone keyboard of white natural keys and black sharp/flat keys present in all keyboard instruments nowadays. The popularity in the clavichord and harpsichord was eventually eclipsed through the development and widespread adoption of the piano in the 18th century. The digital grand piano had been a revolutionary advancement in acoustic musical keyboards since a pianist could vary the volume (or dynamics) from the sound the instrument produced by varying the force that each key was struck.

The emergence of electronic sound technology in the 18th century was another essential part of the development of the modern electronic keyboard. The very first electrified musical instrument was regarded as the Denis d’or (built by Vaclav Prokop Dovis), dating from about 1753. This was shortly then the “clavecin electrique” introduced by Jean Baptiste Thillaie de Laborde around 1760. The previous instrument consisted of over 700 strings temporarily electrified to boost their sonic qualities. The later was a keyboard instrument featuring plectra, or picks, that have been activated electrically.

While being electrified, neither the Denis d’or or perhaps the clavecin used electricity being a sound source. In 1876, Elisha Gray invented such an instrument known as the “musical telegraph.,” which was, essentially, the first analog electronic synthesizer. Gray discovered that he could control sound coming from a self-vibrating electromagnetic circuit, and thus invented a simple single note oscillator. His musical telegraph created sounds from the electromagnetic oscillation of steel reeds and transmitted them over a telephone line. Grey proceeded to add an easy loudspeaker into his later models which was comprised of a diaphragm vibrating in a magnetic field, making the tone oscillator audible.

Lee De Forrest, the self-styled “Father Of Radio,” was the next major contributor to the growth of the electronic keyboard. In 1906 he invented the triode electronic valve or “audion valve.” The audion valve was the first thermionic valve or “vacuum tube,” and De Forrest built the first vacuum tube instrument, the read this post here in 1915. The vacuum tube became an essential component of electronic instruments for the following 50 years up until the emergence and widespread adoption of transistor technology.

The decade of the 1920’s brought a wealth of new electronic instruments onto the scene such as the Theremin, the Ondes Martenot, and the Trautonium.

The next major breakthrough in the background of electronic keyboards arrived in 1935 with the introduction of the Hammond Organ. The Hammond was the initial electronic instrument competent at producing polyphonic sounds, and remained so until the invention of the Chamberlin Music Maker, and the Mellotron within the late 1940’s and early 1950’s. The Chamberlin as well as the Mellotron were the first ever sample-playback keyboards intended for making music.

The electronic piano made it’s first appearance inside the 1940’s with all the “Pre-Piano” by Rhodes (later Fender Rhodes). This was a 3 along with a half octave instrument produced from 1946 until 1948 that came equipped with self-amplification. In 1955 the Wurlitzer Company debuted their first electric piano, “The 100.”

An upswing of music synthesizers within the 1960’s gave a strong push for the evolution in the electronic musical keyboards we have now today. The first synthesizers were extremely large, unwieldy machines used only in recording studios. The technological advancements and proliferation of miniaturized solid state components soon allowed the production of synthesizers which were self-contained, portable instruments capable of being used in live performances.

This began in 1964 when Bob Moog produced his “Moog Synthesizer.” Lacking a keyboard, the Moog Synthesizer had not been truly a digital keyboard. Then, in 1970, Moog debuted his “Minimoog,” a non-modular synthesizer having a built in keyboard, which instrument further standardized the design of electronic musical keyboards.

Most early analog synthesizers, including the Minimoog and also the Roland SH-100, were monophonic, able to producing only one tone at a time. Several, like the EML 101, ARP Odyssey, and also the Moog Sonic Six, could produce two different tones at the same time when two keys were pressed. True polyphony (producing multiple simultaneous tones which permit for that playing of chords) qhscvn only obtainable, in the beginning, using electronic organ designs. There was numerous electronic keyboards produced which combined organ circuits with synthesizer processing. These included Moog’s Polymoog, Opus 3, and also the ARP Omni.

By 1976, additional design advancements had allowed the appearance of polyphonic synthesizers like the Oberheim Four-Voice, and also the Yamaha series CS-50, CS-60, and CS-80. The very first truly practical polyphonic synth, introduced in 1977, was the Sequential Circuits Prophet-5. This instrument was the first one to utilize a microprocessor as being a controller, and in addition allowed all knob settings to get saved in computer memory and recalled simply by pushing a control button. The Prophet-5’s design soon had become the new standard in the electronic keyboards industry.

The adoption of Musical Instrumental Digital Interface (MIDI) since the standard for digital code transmission (allowing electronic keyboards to become connected into computers and other devices for input and programming), and also the ongoing digital technological revolution have produced tremendous advancements in all elements of digital electric piano, construction, function, quality of sound, and expense. Today’s manufactures, such as Casio, Yamaha, Korg, Rolland, and Kurzweil, are actually producing an abundance of well-built, lightweight, versatile, great sounding, and affordable electronic keyboard musical instruments and will continue to do so well to the near future.

Comments are closed.